Name: PowerPoint Presentation
Uploaded: 2022-04-15
Duration: 6 min 30 s
Description: Badge 1 with solid fill. Badge with solid fill. Badge 3 with solid fill.

Badge 1 with solid fill. Badge with solid fill. Badge 3 with solid fill. 

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GROUP NUMBER. Magnifying glass with solid fill. MEMBERS. 

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May be an image of 1 person sitting and footwear

GROUP NUMBER. Magnifying glass with solid fill. ANIMATION WORKFLOW. 

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FOUR MAIN STAGES:. 1. Pre -production 2 . Production 3 . Post Production 4 . Distribution. 

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1.  Pre -production 2 . Production  3 . Post Production  4 . Distribution

1. Pre-production 2. Production 3. Post-production 4. Distribution

GROUP NUMBER. Magnifying glass with solid fill. STAGES IN PRE-PRODUCTION:. 

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1. Story  – a concept where every production starts. It may be an idea established from a book or a conversation. This story will then be expanded to become an animation film.  2 . Script – the story is then rendered to a full working script where it contains the full descriptions and dialogues of the actors of the film . 3 . Storyboard – this is the blueprint or masterplan for the final film. This is broken down into sequences, scenes and/or shots. Each scene or shot will consists of one or more frames containing drawings that show how the shot will be staged. Under each drawing is a box in which any dialogue is written, together with sound effects and music, plus anything else that will make it plain what is going on.  4 .  Animatics  - a preliminary sequence of shots, images, or sketches (as for a movie or an animated television program) that is filmed or arranged usually with a sound track and viewed to determine its effectiveness before being finalized.  5 . Voice Recording- the dialogue of the actors is recorded in digital format or video taken from their actions to help the animators with their poses and timing.  6 . X-Sheet Slugging- this shows the animator and cameraman the frame by frame on how the animation should be drawn and shot.

GROUP NUMBER. Magnifying glass with solid fill. PRODUCTION WORKFLOW. 

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1. Layout-  The layout and posing process link the storyboard artist and the animator. The layout artist uses the storyboard and prepares an organized folder for an animator. This folder contains a field guide that shows the proper camera move and the right size of the scene. It also includes the character’s main poses from the storyboard following the official design, the effects, backgrounds and all the other information necessary to the animator.  2. Compositing-  is bringing two or more picture elements together to make a single image. It could be green screen photography (with the green background removed) set against a new background, a complex set of 3D models, or even something as basic as text over an image.  3. Rendering-  is used in both 2D and 3D computer animation. It is the process of getting the final assembled animation scenes or pieces out of the computer in the format of a sequence of individual frames. The aim of rendering is to generate a series of individual pixel based frames or a video clip.

GROUP NUMBER. Magnifying glass with solid fill. POST-PRODUCTION WORKFLOW. 

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1.  Editing - is  the process of selecting and preparing written, photographic, visual, audible, or  cinematic  material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation,  organization , and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work. 2. Dubbing-  is a character dubbing, meaning the dubbing talents have to build a character responding to the character image and  behaviour . 3.Music/Audio Lay-in-  The simple fact that live-action projects happen in the real world means that everything makes noise, from the traffic in the street to the cameraman’s footsteps. And even if the shooting occurs on a closed set, noises are everywhere. With animation, it’s completely different. Since it’s created from the ground up, there’s no “natural” sound.

Editing Dubbing Music/Audio Lay-in Finished Project Distribution

GROUP NUMBER. Magnifying glass with solid fill. TRADITIONAL ANIMATION WORKFLOW. 

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In a traditional workflow, many steps are done manually. Harmony is used for the digital portion. Familiarize yourself with this simplified version and then move to the next graphic explaining in more details how the various steps connect . The traditional workflow is a very straight forward pipeline. Many of the steps cannot be done simultaneously, meaning they must be completed before continuing on to the next step in the process.

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Ä/åditiO nal
Script
Character, prop & Lcxation t)esign
Audio Recording
Animatic
Layout & Posing
Character, Prop & Background Colour Styling Sound Breakdown
Animation
Digital Exposure Sheet
Scan
Ink & paint
Compositing
Export - Render
To Post Production

GROUP NUMBER. Magnifying glass with solid fill. PAPERLESS ANIMATION WORKFLOW. 

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The paperless workflow is a mix between traditional animation and digital animation workflow. While some steps can all be done in the animation software and simultaneously, some other steps, like animation, animation clean-up and ink and paint, require that the previous steps be done completely before moving to the next.

P-clpærlz--
Script
Character. Prop & Lcxation Design
Audio Recording
Animatic
Layout & Posing
Prop & Colour Styling Sound Breakdown
Animation Clean up
Ink & Paint
Jo Post.Pxoduction

GROUP NUMBER. Magnifying glass with solid fill. CUT-OUT ANIMATION WORKFLOW. 

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A cut-out production (digital puppet animation) reuses a lot of assets, saves time, keeps a maximum amount of work in the same studio and reduces the amount of resources and budget needed. We eliminated as many traditional and hand-drawn steps as possible and kept all of the steps in an integrated pipeline.

Story Ex.ard
%ript
Character, Prop & Lcxation Audio Recording
Animatic
Layout & posing
Character, Prop & Background Colour Styling Sound Breakdown
Character & Prop Breakdown
Library
Scene Setup
Animation
CornEx)siting
Export • Render
roduction

GROUP NUMBER. Magnifying glass with solid fill. REFERENCES:. 

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Cut-out Animation Workflow | Toon Boom  Learn Paperless Animation Workflow | Toon Boom Learn Traditional Animation Workflow | Toon Boom  Learn The Importance of Sound Design in Animation and Motion Graphics Projects | MOWE  Studio Animation dubbing| Foreign language animation dubbing services (graffittistudio.com)

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 Cut-out Animation Workflow | Toon Boom  Learn Paperless Animation Workflow | Toon Boom Learn Traditional Animation Workflow | Toon Boom  Learn The Importance of Sound Design in Animation and Motion Graphics Projects | MOWE  Studio Animation dubbing| Foreign language animation dubbing services (graffittistudio.com)

PowerPoint Presentation

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